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Old 05-18-2017, 07:01 PM   #16
MattTriano
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Quote:
Originally Posted by jakebilbao View Post

What is going on in these pages? The innocent sex-o-saur and the scientist?
I like the drawing and design stuff, dinolegs are impressive, it's just slightly disconcerting. Does he fuck the dinosaur? That's what I'm asking really.

Anyway! I like your work. Good drawing and good storytelling. Sometimes your tonal areas bleed into one another and foreground/background objects conflate as a result.

Do you like doing the two-panel sequences of same shot/angle (eg Pathfinder 7.6 pnls 2-3 or in 7.7 pnls 3-4) or are those sequences scripted that way specifically?

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Old 05-19-2017, 02:58 AM   #17
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dude, i just draw what's in scripts. hahahaha
(and those are kangaroo legs..........)

I think (if i can recall) those weren't scripted that way specifically. i just like using the same shot/ angle sometimes.

and to answer your question, No that guy didn't.
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Old 05-24-2017, 02:30 PM   #18
rolandmann
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REALLY digging this work. What project is this from?
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Old 05-27-2017, 07:11 AM   #19
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Quote:
Originally Posted by jakebilbao View Post
dude, i just draw what's in scripts. hahahaha
(and those are kangaroo legs..........)

I think (if i can recall) those weren't scripted that way specifically. i just like using the same shot/ angle sometimes.

and to answer your question, No that guy didn't.
Hmmm. I see. You like use the same shot/ angle because 'ur lazy at drawing Jake.
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Old 05-28-2017, 05:20 AM   #20
jakebilbao
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you got me scribs!

here's another example of a copy and paste panel:

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Old 05-04-2023, 12:23 AM   #21
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Old 05-04-2023, 06:21 AM   #22
Neil Allen
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That's impressive work. The level of detail is admirable.

On some of the panels, however, I would say there isn't enough variation in line weight and values. Thus with images this busy, you get a lot of things competing for your attention at once, which, I find a little overwhelming as a viewer.

If it were me, I'd vary the values more with different levels of hatching, and make sure I draw attention to the subject and less attention to everything else.
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